Chinese people and bamboo have always had an indissoluble bond. Bamboo has an unusual temperament, which is not bent, and stands proud of the wind. A cluster of bamboo, graceful and colorful, beautiful and beautiful, also like the wind and the beautiful, Jiangnan talented woman. Bamboo has extraordinary uses, cutting bamboo for simplicity, and Wei is a book; it can also be made into a pipa, and the music of silk and bamboo brings inspiration to people.
The earliest bamboo plots of the Chinese can be traced back to the Wei and Jin Dynasties. The son of Wang Zhizhi, the son of the great calligrapher of the Jin Dynasty, Wang Zhuzhi’s love for bamboo. Everywhere, even if it is a temporary residence, it will make people plant green bamboo next to the house. Asked him: "How long do you live?" He pointed to the bamboo that he had just planted and replied: "Why can't you have this in a day?" Later, Wang Huizhi was called "Zhujun".
Although the Chinese people's bamboo plot originated in the Wei and Jin Dynasties, the most popular bamboo in history is Su Dongpo and Zheng Banqiao. Zheng Banqiao, one of Yangzhou's eight strangers, loves to paint bamboo and write bamboo. "The confused" painter's heart can be described as "a total of one leaf and one leaf." The bamboo he painted, Shen Xiu, straight, elegant, unique.
Su Dongpo once had such a chanting on bamboo. "It is better to eat without meat, not to live without bamboo. No meat is thin, no bamboo is popular." The evaluation of bamboo is so high that bamboo can be seen in the hearts of Chinese people. status. It is also because of the Chinese literati's feelings about bamboo that they have left a lot of poems that sing the bamboo.
Among the subjects of Hetian jade carving, bamboo is undoubtedly an extremely important existence. Bamboo homophonic is a wish, because of its bamboo roots, there are often blessings and the meaning of many children and grandchildren. The jade carving master often uses the metaphor of the object to give the bamboo a beautiful meaning. Naturally, it has also been welcomed and recognized by the market. This also shows the respect of the Chinese people for the gentleman of bamboo.
A good and beautiful work, using color materials ingeniously, the color distribution is clean, not dirty; the concept is clever, both unexpected and reasonable. The green color in the white jade makes the work look more lively, the work is meticulously crafted, the lines are smooth, and the real and freehand combination is quite hierarchical. The whole piece is thick and full, and the theme is full of fun.
The Chinese lived in bamboo and walked with bamboo sticks. For thousands of years, they lived with bamboo and vicissitudes, and naturally cultivated the cultural spirit of bamboo. The bamboo is straight and free, straight and pure, clear and handsome, and also entrusts the pursuit of Chinese literati.
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